Marcelle Soulage

Born: 12 December 1894, Lima, Peru
Died: 17 December, 1970, Paris, France

Photo credit: Musée SACEM

 

BIOGRAPHY    MUSIC SOURCES

Marcelle Soulage, who sometimes published under the name, Marc Sauval, was born in South America to French parents in Lima, Peru. The family moved back to Paris when Soulage was four and a half years old. Her musical studies began on the piano at age five and continued at the Paris Conservatory with Georges Caussade, Paul Vidal, Vincent D’Indy, and Nadia Boulanger. In 1919 and 1920, Soulage, one of three female students studying with both Boulanger and Vidal, entered the Prix de Rome competition but was unsuccessful. She remained in an exclusive group of young female composers, les fidèles, who were close to Nadia Boulanger, and was one of two students who assisted Boulanger in correcting the proofs of the cantata Faust et Hélène by Boulanger’s sister and composer, Lili Boulanger.

Soulage was awarded two prizes; the Prix Lépaulle, in 1918, for a suite for strings and piano, and the Prix des Amis de la Musique, for her Cello Sonata, in 1920. Later, Soulage taught solfege at the Paris Conservatory from 1949-1965, having first served as a Professor of Piano and Harmony at the Conservatoire d'Orléans from 1921-1925.

Soulage was a prolific composer who wrote orchestral, choral, chamber music, songs, and  keyboard works, as well as solfege books. She spent her entire life in Paris. Soulage's music is published by Evette & Schaeffer, Buffet-Crampon, Max Eschig, Rouart, Lerolle & Cie, and L. Philippo.


Music

 

Vocal

Berceuse d'Armorique (1912)

Babillarde! À une aronde! (Hirondelle for mezzo-soprano and piano) (1917)

Ballade: Cette fille, elle est morte! (for baritone and piano) (1917)

De plaines en plaines (for soprano and piano) (1917)

Dormez-vous? (for baritone and piano) (1917)

D'un vanneur de blé aux vents! (for tenor and piano) (1917)

Il est en moi des pensées! (for baritone and piano) (1917)

Nocturne (for mezzo-soprano and piano) (1917)

Mélodies, Op. 12 (1917)

Cantilène de la pluie

Pâle et lente

Yver, vous n'estes qu'un villain, Op. 14 (1920)

Chant maternel (Mélodie) (1922)

Au balcon des mélancolies (for voice and piano, Op. 20)

Dessus le quai (d'après une chanson populaire), Op. 24

Laissez-moi mourir lentement, Op. 27 (1922)

Sur la rivière noire (for medium voice and piano, Op. 28) (1923)

Rendez-vous dans le parc (female voice and piano, Op. 29) (1923)

Le Gai printemps (for soprano or tenor and piano)

Choral 

Chant donné pour le contrepoint rigoureux (1913)

Le Repos en Egypte (chorus in 4 parts for female chorus and piano) (1917)

Lamentation des 300 captives du Roi des Morts (chorus in 3 parts for female chorus and piano orchestra, Op. 48) (1922)

A Lauterbach (chanson for 4 mixed voices a cappella) (1937)

Hymne au travail: Laboremus (for 2-part children's chorus and piano) (1937) 

Hymne des créatures d'après St François d'Assise (for unison chorus and piano/organ, or harmonium) (1948) (also for 3 voices a cappella)

Qui veut avoir liesse (double canon for 4 mixed voices a cappella)

Recueillement (chorus in 2 parts for soprano and female chorus)

 

Sources

“Marcelle Soulage (1894-1970).” BnF Data.

Rosenstiel, Leonie. Nadia Boulanger, A Life in Music, WW Norton and Company, 1982, pp. 113, 147,149,167.

“Soulage, Marcelle, 1894-1970.” Library of Congress.