Sophie Bawr

Born: October 8, 1773, Paris, France
Died: December 31, 1860, Paris, France

 

BIOGRAPHY    MUSIC SOURCES

Raised in a wealthy home, writer, librettist, and composer, Baroness Sophie de Bawr (born Alexandrine-Sophie Goury de Champgrand), was the daughter of  the Marquis Charles-Jean de Champgrand and Madeleine-Virgine Vian, an opera singer. Her mother left for Russia when she was 2 while her father raised her and ensured she received a well-rounded education. Bawr studied music with André Grétry, Nicolas Roze, Adrien Boieldieu, and voice with Pierre Garat and Jean Elleviou, often singing her music at her father’s salons.

When the Revolution came to France, Bawr’s father was imprisoned and all his worldly possessions were taken. He and Bawr were ostracized by everyone they knew. After the revolution and her father’s death, Bawr lived with Grétry who mentored her and encouraged her musical talents. She was married for one year to a count and in 1809 married Count de Bawr, a Russian. In another misfortune for Bawr, her second husband died in a tragic accident.

Bawr was an accomplished musician but also struggled financially and found creative ways to make a living by writing songs, one act plays, an opera, melodramas, a novel, and stories. Eventually Louis XVIII awarded her a pension because of her “success in the theater and the loyalty of her sentiments.”

She eventually began to gravitate toward writing historical novels and children’s literature. Her mélodrame, set in medieval Germany, included Les chevaliers du lion and Léon, ou le château de Montaldi. Only the text has survived. 


Music

 

Vocal works/opera

Les chevaliers du Lion (music & libretto by Bawr, 1804)

Léon ou le château de Montaldi (stage work in 3 acts, music & libretto by Bawr, 1811)

Un quart d’heure de dépit (1 act opéra comique, music & libretto by Bawr, 1813)

A la mémoire d'un être chéri (romance, 1814) 

Après une coupable, le retour, romance indienne (voice and pianoforte or harp)

Dis moi ce que j'éprouve en approchant de toi (voice and pianoforte) 

D'aimer besoin puissant (romance)

Geschichte der Musik : für Freunde und Verehrer dieser Kunst

Prose

Le petit commissionnaire, 1794

Argent et adresse, ou le petit mensonge, 1802

Le rival obligeant, 1804

L’argent du voyage, 1809

L’oncle rival, 1811

Le double stratageme, 1813

La méprise, 1815

La suite d’un bal masqué, 1813 and 1818 

Charlotte Brown, 1835

 

Sources

Jackson, Barbara Garvey. Say You Can Deny Me: A Guide to Surviving Music by Women from the 16th Through the 18th Centuries. University of Arkansas Press, 1994.

Letzter, Jacqueline, and Robert Adelson. Women Writing Opera, Creativity and Controversy in the Age of the French Revolution, pp. 37-39. University of California Press, 2001.

Locke, Ralph P. The Norton/Grove Dictionary of Women Composers, edited by Julie Anne Sadie and Rhian Samuel. W.W. Norton & Company, 1995.